What can Hova teach us about art? More than you think.
Wednesday before last, you may have heard, Jay-Z gave an impromptu performance of his new single “Picasso Baby” in a hush-hush event at the Pace Gallery in Chelsea. The audience, if you could call it that, was studded with art stars, socialites and people who knew someone that could get them in. Jim Jarmusch. Glenn O’Brien. Bill Powers. Laurie Simmons. Judd Apatow. Naturally, George Condo, Kanyes’ sloppy seconds, was there. So was the recklessly fêted Marina Abramović. For six hours Jay performed the song over and over, individually, to every person in attendance—a feast of discomfort masquerading as a feat of stamina.